Burt Reynolds meets Irene Cara at the movie theatre and they are the only ones who don’t enjoy Marx Brothers on the screen. While leaving thatre, Reynolds stands in the entrance and the camera is focused on the maquee revealing a great double bill.
Mervyn LeRoy’s Gold Diggers of 1933 (1933) and Norman Z. McLeod’s Horse Feathers (1932) in Richard Benjamin’s City Heat (1984).
